By Keijo Tanskanen
Foreword
The loudspeaker companies in Scandinavia have been quite well-known for their
very affordable but high quality products. For some reason, they have not usually
tried to achieve the very best levels, likely because of the risks and costs
of this for the business. Anyway, there are a couple of exceptions. After years
of work, Marten, too, has finally become into the toughest class and really
challenges even the most appreciated loudspeaker brands in this era. For example,
Marten’s flagship speaker, which is also extremely expensive, is held
as one of the very best speakers in the world nowadays. Besides that, the less
expensive models have achieved a very good reputation as well, also in Finland,
where Hifihuone has held excellent demos.
A couple of years ago, I was able to listen to the Marten Bird which I already
liked much. Its way to reproduce music presentations was somehow very attractive
and honest, although it could not quite compete seriously with the previous
speaker, Wilson W/P 7, in certain sonic features, like dynamics, resolution
and control. Having these positive experiences as a background, I was immediately
very curious when I was offered a chance to listen to the new Bird.
I did my listening in two phases, firstly, at the open doors event, and secondly,
on the specific date. In both phases, I had plenty of time to listen to my test
music. Both of the sessions were done in the demo room of Hifihuone, which actually
has quite good acoustics (also vivid enough compared with nominal living rooms).
The front end cosisted of very high quality McIntosh electronics and Jorma’s
cabling. Actually, the whole setup seemed to be a quite perfect match! For the
second visit, I managed to have an excellent reference speaker, Sonus Faber
Guarneri Evolution. Naturally, this enabled a more accurate evaluation of both,
i.e. the effects of the room and features of the speakers.
Speaker info
The Bird 2 is still a bottom-ported design floorstander speaker, which is moderately
sized and weighted. The cabinet of the speakers is constructed by 26 mm MDF,
resulting quite good damping, and having tilted back a few degrees for the best
timing integration of the drivers. Despite this, the speaker stands very stable
on its footprints, just because of the robust stainless steel feet, cones and
pucks, which are much better than what the predecessor had. The speaker has
a new 3/4" diamond tweeter and two new 9" ceramic sandwich woofers
besides the 7” midrange unit. Additionally, the crossover of the speaker
has been improved as well, for example by the Mundorf components.
A look at the back side of the speaker reveals two interesting things. Firstly,
there is one pair of very high quality speaker terminals. Marten has concluded
that it is much better to offer one pair of high quality and reliable terminals
instead less high quality bi-cabling deliverance. Very well thought, I think!
Secondly, there is bass amount adjustment which has three 1 dB steps. Naturally,
this enlarges the variety of successful room-speaker combinations. I did not
have any specific technical information about the adjustment, but it seemed
to work well. Very reasonable and well thought, again!
As you can see, plenty of improvements were done. By help of these, the manufacturer
promises the sound deliverance being much less coloured than before.
Sound
From the very first notes, it was clear that I was listening to the music which
was reproduced by very high quality and big sounding loudspeakers. There was
also a rarely experienced level of transparency and order in the music interpretations.
Naturally, I could wait for the kind of presentation from the speaker of this
size and price, but anyway, I was delighted of the great start.
The low end of the music was reproduced impressively, especially in the rock
music samples. There was only slight exaggeration and over-vividness in releases,
caused by the room-speaker combination, but the quality was still excellent.
The kick drums had plenty of punch and double basses were delivered with great
richness and resolution. For example, the system revealed very nicely the finger
touches of playing. For practical listening cases, there were sufficient bass
extensions as well. Only the very lowest effects, like the waves of cinema music,
will need the help of a subwoofer.
Then, I concentrated on the midrange and deliverance of basic music constructions,
like melodies. They were followed very faithfully, coherently and with correct
timing by all my test music samples. This was easily noticed for example in
the piano melodies. Still, I have heard a couple speakers and systems which
make things even slightly better in this era, but probably I’m splitting
hairs here. What surprised me a bit were the dynamic contrasts of the hits of
piano hammers. They were reproduced in a way that I have heard only from few
reference systems!
The highs were just beautiful, really beautiful. All kinds of aggressiveness
were superbly avoided, without loosing shimmering and pure nature of highs.
What is also very important the treble was very well tied with the midrange.
I don’t know if this is achieved by the crossover design or by the right
choices of elements, or by both of them, but the result was exemplary, especially
in the world of diamond tweeters and ceramic woofers. The resolution of highs
was also very high, although I have experienced some super speakers delivering
a bit more very low level vibrations of cymbals and triangles.
The tone colours of instruments were delivered very cleanly and openly. Violins
sound like violins and cellos like cellos, but not quite in the way that Sonus
Faber Guarneri Evolution did. This is not a shame at all, because I have not
heard better sounding violins than Sonus Faber Guarneri Evolution and Stradivari
can deliver, only a number of equal performances! It must be known that if Sonus
Faber Guarneri Evolution can deliver a bit more correct sound of instruments
and just a tad more prompt melody runs, they will loose everywhere else against
Heritage Bird 2, at least in my opinion!
Conclusion
Marten Heritage Bird 2 is definitely a tremendous speaker without significant
flaws. This is not a surprise at all when taking account the price of the speaker,
but the case has also real excels. Technically, Heritage Bird 2 has been improved
very reasonably from its predecessor, which is not trivial at all in these days,
when vendors are trying to maximize profits. Actually, in my experience, the
Bird 2 is one of the finest examples of successful R&D in the world of loudspeakers.
Naturally, this can be noticed from the sound reproduction as well, very easily
indeed. Marten Heritage Bird 2 delivers a punctual reproduction of music patterns
and specifically attractive and big sonic view – a true way to lifetime
listening pleasure!
Specifications:
Frequency range / 25-100000 Hz ±3dB
Power rating / 300 W
Sensitivity / 89 dB / 2.83V
Impedance / 6 ohm (4.7 min)
Type / 3-way ported (26 Hz)
Drive units / 2x9" ceramic sandwich, 7" ceramic 3/4" diamond
Crossover frequency / Second order: 250, 3000 Hz
Components / Low loss copper foil coils and silver/gold in oil capacitors
Terminals / Single-wiring WBT
Internal wiring / Jorma Design
Cabinet / 26mm veneered MDF
Stands / Steel stands with Marten cones and pucks
Dimensions WxHxD / 28 x 116 x 46 cm (11 x 45.6 x 18.1")
Net weight / 47 Kg (104 lbs)
Price 27.500 € in Finland
Importer Hifihuone Oy
Associated Equipment:
Digital source: McIntosh MCD 1100 CD/SACD player
Power amplifiers: McIntosh MC 452 power amplifier
Speaker cables: Jorma Design Statement
Interconnects: Jorma Design Origo XLR
Power cords: Jorma Design Origo
Power equipment: Quantum Qx4 & QBase8
Reference speaker: Sonus Faber Guarneri Evolution