By Keijo Tanskanen
FIRST
FOREWORD
During his audio career Tapani Lappi has been more or less on the spot of Finnish
high-end. TL-Audio has typically had one of the biggest and most expensive high-end
set-ups in Finland. Tapani purchased Acapella Triolon Excaliburs a bit less
than two years ago, and since then I had desperately waited for a change to
listen to them. Finally I got my time. Because he does business he is sometimes
forced to sell his favourite sets as well. This happened also just after my
visit. Although Triolon Excaliburs are extremely expensive I don’t wonder
at all that this pair found a new home. If you are a serious audiophile and
have a thick wallet, the choice is actually quite natural. Just after selling
Triolons Tapani got second hand Wilson Maxx 2s and Avantgarde Trios into his
listening room! This is unique, and it is hard to imagine that in Finland these
kinds of speaker demonstrations are possible elsewhere than in TL-Audio!
My visits were quite fast ones, but I think giving more time for listening would not have given any significant extra information, only a bit more detailed information. The “game” was so clear.
FIRST LISTENING SESSION
Tapani used his massive Velodyne 1812 subwoofer with Acapella Triolon Excaliburs.
He said that it is necessary to use a subwoofer with these speakers in this
room. After listening to Triolons without subwoofer I “surprisingly”
could only agree with him. TL-Audio’s listening room is so big and wall
materials are light enough that the most balanced, live-like and impressive
results were achieved only when the highest quality subwoofer was used. Here
I must point out that Tapani had also done a long term and professional job
in finding right subwoofer placing and adjustments. The whole set-up was Audio
Research Reference CD7 player, Audio Research Reference 3 pre-amplifier, Audio
Research Reference 110 amplifier, Burmester 948 power conditioner, Velodyne
1812 subwoofer and Transparent Reference cabling.
I listened to several CDs which I knew very well and which I also own myself. There was no doubt about the quality of the sound; it was clearly from the highest level I have ever heard. I would not say that the sound was perfect or even the most resolving one. Instead I am sure it was among the biggest, the most live-like and impressive ones I have ever heard! In other words the sound staging was among the biggest ones, dynamics, balance, cleanness and frequency extensions were among the best ones or the best ones I have ever heard. Actually it is more or less hair splitting to criticize any sound parameters. If something has to be criticized, I would say that the acoustic picture could have been wider horizontally (probably it could have been improved by a wider speaker placement), and I may have heard very slightly more micro-detailed and coherent sound couple of times before. Anyway, without any over praises, this set-up went into the best three I’ve heard so far. That’s it!
SECOND FOREWORD
When I came second time in TL-Audio, Tapani had also sold his Audio Research
CD player and pre-amplifier. So, it was quite impossible to make direct speaker
comparisons. But a new front end still had reference components, only speaker
cables could have been better ones. That was actually only thing which disturbed
me and very likely caused a bit more criticism for the sound evaluation. Also
Velodyne 1812 was switched off and moved away, which naturally gave a slight
advantage to Acapella set-up. Anyway, Wilson Maxx 2 set-up delivered such a
bass that a need for a subwoofer came never in my mind.
SECOND LISTENING SESSION
The second set-up consisted of Wilson Maxx 2 speakers, Audio Aero Prestige SE
CD player, Audionet Amp II Max monoblocks (which were brought by us), Transparent
Power Isolator 8 power filter and Transparent Reference MM single ended interconnects
(which were brought by us) and Transparent Music Wave Plus speaker cables.
This set-up delivered admirable sound as well, but could not quite achieve the level what Acapella set-up delivered. Also when Tapani had Maxx 2s first time couple of years ago the sound was better. I think this happened at least partially because of the better speaker cable and a bit more careful speaker placing. Anyway the sound was nothing but excellent this time as well. After some placing and adjustment procedures the typical Wilson sound was achieved: plenty of dynamics, excellent sound picture and transparency, fast and totally controlled bass and exceptional over-all clarity and so on. The potential of the speakers was easily noticed, but also that a little part of potential was still missing. Our well known CDs were played and listening results were quite clear: A very impressive and excellent over-all demo session, but still “a tiny stone was left in my shoe”.
THIRD LISTENING SESSION
Then it was time to replace Maxx 2s by Avantgarde Trios. The front end was also
changed a bit because of practicality and reasonableness. The third set-up consisted
of Avantgarde Trio speakers, Audio Aero Prestige SE CD player, Audio Research
Reference 110 amplifier, Transparent Power Isolator 8 power filter and Transparent
Reference balanced interconnects and speaker cables.
First class transparency, dynamics and clarity was noticed at once. Anyway, Trio set-up could not achieve the over-all presentation level what Maxx 2 set-up delivered. For example treble was not as clean and natural. Also bass had some clear problems – it sounded somehow separated from the other frequency range, and it clearly lacked tonality. Afterwards Tapani had noticed that one of the Avantgarde subwoofer units was slightly defective which explained a bit strange listening experiences of bass. After having a new unit, remarkable improvement in bass was achieved, Tapani explained afterwards. I have no doubts of it.
CONCLUSION
By my preferences and taste Acapella setup was in a league of its own. Wilson
Maxx 2 set-up delivered excellent listening results as well, but after owning
better experiences I could not quite achieve a nirvana with the second set-up.
Avantgarde Trio set-up was very good as well. Additionally it is important to
know that Trios are dramatically less expensive than Triolons and Maxx 2s. This
can be also heard on the sound but not as much as one could imagine from the
price difference.
So, it became clear that all the three set-ups and speakers of these two visits and three sessions were from the reference class. I have also no doubt to say that all the three speakers will give a lot of pleasure to their new owners if a suitable listening room and front end are used. With my eyes and ears the quality of high-end set-ups seems to still rise in Finland.